Category: Art

  • Preview! Rigel 7 print coming soon

    Preview! Rigel 7 print coming soon

    Last year I made this painting based on the classic scene by famous matte painter Albert Whitlock. It’s the Rigel 7 fortress originally shown in the first Star Trek pilot episode, “The Cage”. It was re-used several times during the rest of the Star Trek series and I always wanted my own version of this classic shot. (more…)

  • Comic Strip and Space Art Update

    Comic Strip and Space Art Update

    With Fall now fully on us here in 2014 I felt overdue for an update on my own art projects. Balancing my work as a professional artist with the practical needs of providing a solid income as a user experience designer has been challenging in many ways, and far more rewarding than I ever expected. I’ve recently taken on a full time role at a reputable online travel company, which has impacted my daily output as expected. Weekends and evenings are now the only time I can reasonably devote to my various projects. (more…)

  • Space Art At The Drunken Easel

    Space Art At The Drunken Easel

    My good friend, Justin Edwards is hosting a gallery showing at his shop, The Drunken Easel next Saturday, August 23rd from 1pm-6pm.

    Admission is free, and there will be food and drinks available. If you’re in the area, we’d love to see you!

    DrunkenEaselShow

  • Upcoming Appearance – Artist in Action, Bothell Washington

    Upcoming Appearance – Artist in Action, Bothell Washington

    This Friday, July 11th from 12:00 to 6:00pm I will be at the Country Village Farmer’s Market in Bothell, Washington as part of their Artist in Action series. I will be painting all day, next to Stephanie’s Dollhouse Baked Goods table. (more…)

  • Report From The Universe – A Springbok Puzzle I Once Owned

    Report From The Universe – A Springbok Puzzle I Once Owned

    I’m three years into my space art exploration, and I often find myself wondering where this fascination began in my past. It’s not an unusual stretch of imagination for those that know me personally, as I’ve always been a space and science fiction fan going back as far as I can remember. I came into this world just in time to witness the first moon landing. Space TV shows were all over the few channels any of us could access through the air. (more…)

  • Book Cover – The Long Way to a Small Angry Planet

    Book Cover – The Long Way to a Small Angry Planet

    Author Becky Chambers is preparing to release her first Science Fiction novel, The Long Way to a Small Angry Planet. Becky contacted me Spring of 2014, looking for cover art for her book and the finished cover is finally revealed.

    (more…)
  • Under the Influence of artists Chris Foss and John Harris

    Under the Influence of artists Chris Foss and John Harris

    Recently I purchased The Definitive SF Works of Chris Foss, and Beyond The Horizon – The Art of John Harris. Both are amazing collections of science fiction imagery by masters of the art. Their work has been seen on many books, influenced movies (Chris Foss had a direct hand in ALIEN, Jodorowsky’s DUNE, among many others). Like John Berkey, their images left an indelible impression on my mind. (more…)

  • More Sketches from The Expanse

    More Sketches from The Expanse

    For the record, I am not affiliated in any way with SyFy Channel’s production of The Expanse series. These are merely my own sketches which I made while reading James S.A. Corey’s The Expanse series. Beginning with Leviathan Wakes, I was impressed with the depth of thought that went into building out their vision of the solar system. I kept my sketchbook nearby while I was reading these books, and previously I posted one that I finished off with Photoshop of the Rocinante. (more…)

  • Cape Disappointment Lighthouse Painting

    Cape Disappointment Lighthouse Painting

    Given the amount of space and science fiction work showcased on my site, people may be surprised to see me tackling a terrestrial subject like a lighthouse on a cliff. However, painting from life subjects is an essential method for anyone who wants to learn how to draw and paint, digitally or otherwise. I learned this both on my own, and through many art classes during college. While I majored in Industrial Design, the core program was based on London’s Royal College of Art – a program that focuses heavily on drawing from nature and life.

    Cape Disappointment, located in the Southeastern corner of Washington State, has a lot of history to me and my extended family. We’ve held annual family reunions in the area for over three generations. Some of my earliest memories include trips to the ocean beaches and the lighthouses, so I thought I’d tackle a landscape that held some value to me personally.
    This is a 20″ by 30″ stretched canvas, and I used acrylic paint. Some of the additives I used included a clear gloss medium which helped me build layers of transparent details building to the overall look. I started by blocking in the sky and water.

    CapeDisappointment_Start

    And that’s a shot from my home studio. From there I added the cliffs, clouds, horizon, and later came back and made the churning water. Sadly most of my visits to Cape Disappointment took place during rough weather, even in the summertime. Even under dark skies and rain it’s a beautiful location.

    CapeDisappointment_BlockedInCliffOcean

    Next I added the lighthouse forms and tree line. At this point they weren’t detailed, merely placeholders while I brought the rest of the painting up to a similar level of detail.

    CapeDisappointment_BlockedInLighthouse

    After getting all the elements in place, I focused on the lighthouse itself. My wife and I deliberated on having an explicit light beam coming from the lighthouse, out into the sky. To me it felt forced, so I left it as you’d expect to see it in person – a lonely light against a dark sky.

    CapeDisappointment_LighthouseDetail

    The closer you get to finishing a painting, the longer it takes to get all the details. I spent the last chunk of time working out how the rocks should look, water splashing against the shore, and refining the clouds and trees. In the end, I’m happy with the painting, but it still doesn’t feel finished. The curse of the painter, I’m learning.

    CapeDisappointment_Final

    I put it on a wall to take some photos, and my family liked it so� much, it’s stayed there so far.

    CapeDisappointment_OnTheWall

    As an exercise, I like to refer to this as “practicing my clich�s”, referring to a quote by Kevin Costner in the movie Bull Durham. In that movie Costner plays Crash Davis, a veteran baseball player tasked with trying to coach the brash and young Ebby Calvin LaLoosh (played by Tim Robbins) into becoming a big-time pitcher. Here is Crash Davis’ sage advice regarding interviews:

    Crash Davis: You’re gonna have to learn your clich�s. You’re gonna have to study them, you’re gonna have to know them. They’re your friends. Write this down: “We gotta play it one day at a time.”
    Ebby Calvin LaLoosh: Got to play… it’s pretty boring.
    Crash Davis: ‘Course it’s boring, that’s the point. Write it down.

    Some may find a lighthouse on a cliff is a bit of an artistic clich�, especially when you consider Art spelled with a capital “A”. But they make me feel good, they’re fun to paint, and people enjoy them. To me, this was a fun exercise. Enjoy!

  • Digital Sketch – The Rocinante at IO

    Digital Sketch – The Rocinante at IO

    I’m going to begin sharing some of my process, starting with an exercise from last Friday. I’ve recently taken on a book cover commission and wanted to explore a digital approach to the final piece.

    This scene depicts a spaceship, the Rocinante, descending towards the Jupiter moon IO from the James S A Corey book Caliban’s War. It’s a wonderful series of science fiction books called The Expanse, and I found myself inspired by the spacecraft and scenes in these stories.
    It’s also given me a great platform to stretch out my digital painting skills. But first I started out with my sketchbook.

    RocinanteSketch

    I keep a sketchbook handy at all times, and this is typical of the kinds of ships I tend to draw. A sketch like this takes about ten to fifteen minutes, starting with a thin ink line drawing, followed by heavier strokes and shadows with a brush pen. This is from a very small, portable sketchbook that I carry with me – 8.5″ x 5.5″

    I took the scan directly to Photoshop, cleaning up the sketch just a bit, and setting it against a found image of the moon IO.

    Rocinante_Pshop1

    Several photos of an SR-71 Blackbird that I took at the Boeing Museum of Flight provided the source textures for the spacecraft, and I hand painted in more details, highlights, etc.

    RocinanteSketch_Pshop2

    My goal for this kind of exercise is to quickly build an exciting image from one of my sketches. Were this to be a final piece for a book cover or a print, I would spend a lot more time correcting some of the perspective issues. But I like the raw look, given that it’s started as a small sketch.

    Rocinante_Io

    Total time spent on this project is about four hours, with about half of it devoted to brush settings and other experiments I needed to explore for this resolution and process.

  • Lightships

    Lightships

    I regularly follow Centauri Dreams, a great blog on the future of interstellar travel, and one of the more compelling technologies makes a recurring appearance – Bussard Ramjets. Think of these as jet engines that take in hydrogen with enormous electromagnetic collectors, feeding a fusion engine. They can’t break the speed of light, but they’re fast enough to being humans to the stars. Eventually.

    These ships are enormous. From a distance you would mostly see the side effects of this exotic drive – glowing fields and hot plasma. In my mind these starships would resemble cathedrals set against a tapestry of stars.

  • Arrakis and the Seven Sisters

    Arrakis and the Seven Sisters

    Today’s painting with my good friend, Justin from The Drunken Easel. Neither of us were feeling the muse, but we pressed on anyway.

    I finished off a painting I started earlier of the Pleiades, aka The Seven Sisters. It’s a brilliant gem of a star cluster that’s prominent from Fall to Winter here in the northern latitudes.

    The Pleiades, on the wall

    My second painting was a bit of a struggle. I was trying out a primed board that was way too smooth for my acrylic paint. But I pressed on and ended up with a reasonably decent depiction of a sandworm from DUNE, my favorite book of all time. The color tones match those used by Vincent DiFate for his book cover illustrations in the late 1970’s.

    Justin turned out a really great abstract piece:

    It’s important to press on, even if you’re not in the mood.

  • Emerald City Comicon 2014

    Emerald City Comicon 2014

    Emerald City Comicon 2014 – Seattle, Washington

    My second Emerald City Comicon, and a wonderful weekend for my family and my art. This year I had models on display with the Galaxy Hobby SF Model Club, a chance to share my favorite spaceship model kits and space art. My wife and daughters came along, and all had a fantastic time. It was a pleasure having their company at an event that would typically have been mine alone to enjoy.

    This year I also brought along my art supplies, to paint a space battle in front of the crowd. It seemed a fitting subject given the weekend, and one I’ve been wanting to tackle. I had most of the painting finished on Saturday, leaving details to finish on Sunday.

    The folks at the Wacom Booth, makers of digital art tablets, invited me to be the guest artist for an hour on Sunday. I’ve wanted to try out a Cintiq for some time, and the chance to perform in front of a crowd was exciting. A number of attendees stopped to watch as I airbrushed my way into another space scene. After a few minutes I felt right at home with the tablet which was running my favorite graphics application, Photoshop.

    Next year I will be having my own art table, with my friend and co-artist Justin Edwards from The Drunken Easle.

  • MUSE Magazine Cover Art

    MUSE Magazine Cover Art

    Keep an eye out for the April 2014 issue of MUSE Magazine, which features articles about Space Elevators. My Space Elevator piece is to be featured on the front cover!

    Muse_April2014

    A Space Elevator is literally an enormous elevator from the ground on Earth to a fixed location in space. People and hardware are delivered to space with a train-like elevator car, eliminating the need for expensive and dangerous rockets. The idea goes back to famed Science Fiction author Arthur C. Clarke, and more recently Robert L. Forward who worked on building some of the first real investigations on such a technology before his death in 2002.

    We are decades away from building such a device, but the idea is being pursued in spite of the fact that no material known to science is strong enough to be used as a 600 mile cable from the ground to space. Yet.

    It’s possible that a space elevator will be built on our moon, which would be a far simpler engineering task. Time will tell, in the meantime I hope you enjoy my Space Elevator piece and be sure to check out MUSE magazine when it hits the shelves.

    Cheers!

    Space Elevator 2013-01-04 (02.13.20-229 PM)

  • Digital Sketches

    Digital Sketches

    While clearing off some space on my iPad, I found a bunch of sketches that I’ve never posted. When I sit down to paint, I always warm up with some sketches. Doesn’t matter if I’m working in a digital format or traditional media. The warm up helps me get into the groove.

    Sometimes these sketches take on a life of their own and become finished pieces. Other times I just lost interest or the idea didn’t quite gel the way I wanted. And some of these were merely an exercise to try out a style or trick. As I look back over the last year, I’ve probably spent too much time in the quick sketch stage but it’s helped me knock off the rough corners here and there.

    So here’s a gallery of quick studies to enjoy:

    Sketch Gallery

  • Book Cover Art

    Book Cover Art

    In conjunction with my good friend Andrew McDonald, a talented photographer and all-around creative individual, I’ve put together a few samples of cover art for books. These could be used for printed or electronic books, and can be formatted to fit a variety of sizes. Enjoy, and check out more of Andrew’s photography on his site!

    Cover Art with Photos by Andrew McDonald

     

    Cover Art – Christopher Doll

    And here are a few using my own Space & Science Fiction art:

  • Featured on Amazing Stories Magazine

    Featured on Amazing Stories Magazine

    This week I was featured on the Amazing Stories website in a series that profiles Space Artists, members of the IAAA (International Association of Astronomical Artists). I’m honored and privileged to have been selected for this article alongside artists that I’ve looked up to over the years. If you get a chance, check it out:

    IAAA Gallery: Christopher Doll – Experience Designer

  • Open House – Thursday, June 6th at Trabant Coffee in Seattle

    Open House – Thursday, June 6th at Trabant Coffee in Seattle

    If you happen to be in the Seattle area next Thursday, June 6th, drop on in at Trabant Coffee on 2nd Avenue and James Street. I’ll be hosting an open house for my first gallery showing there. We’ll have wine, beer, snacks, and of course Trabant’s amazing coffee. My work will be on display at Trabant for the month of June.

    Trabant Coffee & Chai

    Trabant Coffee

    602 2nd Avenue
    Seattle, Washington