Category: About Me

  • 10 Years of Space Art

    10 Years of Space Art

    Back in December 2012, Stephanie used a Groupon Coupon for a new paint and sip shop nearby. We were the only couple to show up that evening, but the owners Justin and Janelle were happy to have us hang out and paint. They showed us a wall of paintings they were prepared to walk us through. Stephanie picked one while we both enjoyed a few libations. Being the science fiction and space enthusiast, I decided I’d take advantage of the paint and canvas in front of me and go rogue with my own painting.

    Me at The Drunken Easel, putting down some lines

    I had learned to paint during my time at Kendall College of Art & Design, back in Michigan. Even though I went through their Industrial Design program (and got the degree), we had many core Fine Art classes. Sixteen years had passed since the last time I picked up a paint brush, I wasn’t sure if I’d forgotten everything. But there was no pressure, and I had the confidence of a couple of good stouts so I just started moving the brush.

    “It looks like this could be a nebula”

    I felt comfortable with the paint and brush, and a blank canvas. A picture started forming as I painted, and I forced myself to just keep going. Don’t stop, don’t deliberate, just go with the flow. It was liberating. No art direction, no internal dialog. Just the canvas, paint, some good music, a chill atmosphere, and decent beer.

    The spaceship started taking form with dark shapes. I blocked in the overall silhouette and added highlights, details, windows. I put on a few “hero stars” with a brush then spattered a bunch of smaller stars to finish it off. By the end of the evening, this was staring back at me:

    Spaceship And Nebula #1

    I surprised myself. Painting tapped into a part of my brain that was dormant for many years. I left feeling like I had ignored a base instinct my entire life. It was different than the 3D work I had done as a game designer, or even on my own as a digital artist. And as much as I enjoyed building and painting models of spaceships, this offered something more – an energy and context that was missing from my other hobbies.

    I Went Back to Work on Monday

    The next week I went back to my dismal job as a User Experience Designer. I loved being a User Experience Designer, don’t get me wrong. But I was working in the middle of a series of garbage corporations, many that you’d know by name, in an industry that still to this day remains stagnant and miserable for designers. I decided that if I were to remain sane and not die sitting in a cubicle or standing desk, I needed to sort out how to make a living as an artist on my own terms.

    This was an insane idea. I’ve known many artists, and even in my circle of friends I knew people with Fine Art Degrees that shoved them aside to work in the more practical technology and business fields. My peers would laugh at me, and with good reason. I wouldn’t make nearly the money I was making in tech. Artists my age already had 20 years on me. I was just a guy who had a few beers and threw a spaceship on a canvas.

    I was already beginning to realize my career was killing me. That isn’t hyperbole. I was beginning to hit the wall with several health issues related to stress and anxiety. And maybe I would’ve hit that wall anyway, but I knew after sixteen years I wasn’t built for the industry. Even with my comfortable salary I hadn’t accumulated enough money to just walk away and start painting. We’d lose the house within months, and I knew it.

    One of my last work badges (company name modified to protect the jerks)

    So, Get On With It

    It took me a few weeks to build a plan, and I started slowly. I dusted off my Wacom tablet and began working with my digital tools. With a recently purchased iPad, I put a lot of miles on an early version of Procreate. And I began buying paint, brushes, and canvases to work on painting at home. The only way I could pull this off was if I put myself on the equivalent of a Master’s Degree program for Fine Art, while working as a UX Designer. This meant more than just painting nebulae and spaceships, I wanted to tackle it all – landscapes, abstracts, figurative art. I had to get good at many levels if I ever wanted to step up and call myself an Artist.

    I still feel I’m an Imposter as an Artist, ten years later. But in that time a lot of good things happened. I left my career as a UX Designer and joined my wife Stephanie with her baking business Doll House Baked Goods. This helped us keep the house and I was still able to learn new painting techniques, new media, and I started landing commissions. I also learned how to make a mean batch of chocolate chip cookies, sourdough, pies, and other baked goods. More importantly, we got a crash course in running a small business and this was a tremendous advantage for my own art business.

    For an imposter, I’ve had a few successes – I’ve painted the covers for many science fiction novels, including a series that won the Hugo Award for “Best Science Fiction Series” in 2019. My work has been on album covers, model kits, and is now in the homes of many collectors. This year I completed a HUGE commission for a Science Museum (more on that when I can reveal the project). And I’ve been running a weekly livestream on Twitch.TV where I paint a new science fiction or space painting every week, Bob Ross style. I remain hopeful that I can grow this business and career for the rest of my remaining days.

    There are many artists who, like me, left their careers to become successful space and science fiction artists – and in less time than it’s taken me. But I wouldn’t trade my own experience as it’s been both frustrating and incredibly rewarding.

    I am Grateful

    I am thankful to Stephanie for arranging this event, and for being such an amazing supporter of my art for the last ten years. I had no idea going into this evening that it would switch my brain onto a completely different course. And my thanks also go out to Justin and Janelle for being so great to their lone patrons that evening, and letting me paint something that was quite literally “off the wall”. I am also grateful for the many followers that have found me on social media, and more recently through my livestream. You’ve all helped make this possible.

    Our Paintings from the Drunken Easel

    Post Script

    I’m approaching the third anniversary of my livestream on Twitch and two weeks ago I wanted to try painting my “spaceship and nebula” again, just like I did at The Drunken Easel ten years ago. This was a two-hour live painting, with no initial preparation. Just me, the paint, the camera, a fine audience of viewers (thank you to all of my subscribers, followers, and Patreon supporters). I still enjoy the visceral throwing of paint that happens with a spontaneous painting session:

    Stellar Explorer V

    And now, on to the next ten years. Ad Astra!

    Where you Can Find Me

  • Streaming on Twitch.TV

    Streaming on Twitch.TV

    TUESDAY MARCH 10th, 6pm to 10pm PST

    I’ve been threatening to try live streaming art and the time is finally here. For the last week I’ve been putting together the webcams, lights and getting the software ready to go.

    I’m 1000% terrified about it all, not going to lie. But it’s going to be a fun time.

    BlackBirdCD on Twitch.TV (click on image for link)

    Bookmark my channel on Twitch.TV – BlackBirdCD

    I’m going to be painting some spaceships and scenes. Four hours is a long time but I suspect it’ll go by quickly. Small paintings can take as much as four hours.

    For future streams I am set up to broadcast work in Photoshop, and I have enough room to pull out my big easel for more of a Bob Ross effect.

    Intro Video

    I had to put together a number of graphics for my Twitch.TV channel – banners, cover images, background images for the stream starting/ending/on break, etc. What better than to make a rolling intro video?

    BlackBirdCD Starting Soon Intro Video

    Music by Andrew Allen. This is the finished version that I’ll be running as a pre-roll to my stream. 

    The Nebula and Galaxy is an image I painted in 2014 in Procreate on an iPad. It was ported to Photoshop, then After Effects, which preserved the layers. This made it relatively easy to animate them in After Effects. I added the text, logo and two starfields in After Effects.

    I will definitely look at doing more of these after this exercise. It showed me the ropes a bit in After Effects, which I do not use regularly but I understand the base concepts of animation.

    Why BlackBirdCD?

    BlackBirdCD was a name I picked ages ago when I worked at Microsoft. The employees were encouraged to make new email accounts under their new HOTMAIL service, to try it out. That’s a long time ago, please don’t look up the years.

    I tried to grab just “BlackBird”, but it was already taken. So I went for BlackBird with the CD and it was available.

    To keep matters simple, I started using BLACKBIRDCD for every account that needed a name. So there it is. Not too much more than that.

    I did however have a black Pontiac Firebird and BlackBird was a bit of a callout to that. Regrettably the car is no longer driveable.

  • Welcoming 2020

    Welcoming 2020

    2019 was a difficult year for us, as much as it was for many of you. We lost our shop in the Country Village, but we managed to continue with our baking business through our local farmer’s markets. While we knew the Country Village was being sold, it was still a blow to our business and morale.

    Country Village – Boat on Pond

    The silver lining is that we found so many people who loved our baking, and followed us to the local markets. This helped us finish out the year and for that we are thankful to all of you.

    It’s also given me time to build my business as a professional artist. I’ve managed to work on a lot of great projects in 2019 including book covers, retro-science fiction labels for Folksbier Braueri in Brooklyn NYC, and a wonderful scale model of the solar system.

    Folksbier Recurring Dreams#32

    Going into 2020 I am continuing with several ongoing art projects and I will be sharing these as we go. Some projects I’ve had to keep under wraps until they release, so keep an eye out on my Instagram feed and my site for more details.

    Random Walk – Full Artwork

    Also, if you are looking for custom artwork for your own project please feel free to contact me. I’m always looking for new projects and this is a great time of year to set something up. If you happen to know of any science fiction authors, editors, art directors or anyone else in the publishing field I am happy to meet them and see if I can make something cool for their projects.

    I’d like to thank you all for following me this far and I look forward to sharing new art in 2020.

    Now in the Shop

    I’ve just made a new category in my shop called “Small Works”. These are smaller, original paintings that would be happy to find a new home. They are less expensive than some of the larger originals that I sell, but no less fun.

    CURRENT SALES

    All of my ornaments are 30% off, with coupon code ORNAMENTS. Get them before they run out!

    Prints in the shop

    I’ve posted several prints in the shop that you can order at any time. If there are other images you are interested in, please contact me about having a print made. Depending on the image, I may be able to run it for you. All prints are made at a local print shop and they do a fantastic job.

  • My First Art-Only Show at the Edmonds Farmer’s Market

    My First Art-Only Show at the Edmonds Farmer’s Market

    On Saturday, August 24th from 9:00am to 3:00pm I will be setting up a booth at the Edmonds Farmer’s Market. I’ve been there every weekend this year with baked goods from Doll House Baked Goods, but on August 24th I will be setting up a booth to showcase my own art.

    EDMONDS FARMERS MARKET
    Bell St. & 5th Ave NE
    Edmonds, Washington 98020

    I’ve been working on a number of new pieces that will be appearing for the first time in public, and I will have prints of my older work as well.

    I’ll be flying my Space Art By Christopher Doll sign, instead of baked goods. But I might have a few cookies on hand, just in case.

    I would love to see you at the show, and there is no obligation whatsoever. Stop by and say hello and enjoy the afternoon. There are a lot of great vendors at the Edmonds Farmer’s Market and downtown Edmond is a great place to spend the day.

    August 24th 9:00am to 3:00pm
  • From the Shop

    From the Shop

    It’s been two years since we opened Doll House Baked Goods, our small bakery, and in that time we have learned a lot about running our own business. We had no illusions that this would be easy, the hours are long and we don’t have nearly the same amount of free time or freedom to travel like we used to.� But it’s been rewarding and I make a mean batch of chocolate chip cookies.

    One of the bonuses of having our own shop is that we have room to display and sell my original art and prints. In the last two years a number of my pieces have found good homes and I am working hard to make more.

    A corner of our shop with space and science fiction art

    Current Art Projects

    I’ve updated several areas on the site, adding new artwork that has recently made its way to the shop. Some of them are also available in my store here, and at Doll House Baked Goods. If you happen to be in the area please stop on by and say hello!

    Stellar Explorer VII

    Some of the most popular paintings in the shop were scenes from Washington State. I had a number of lighthouses from the Pacific Coast and beach scenery. I love visiting that area and have a lot of fond memories from family trips over the years. In fact, all of my original lighthouse paintings have been sold and I plan on making more soon.

    Shores of Long Beach, Washington

    Speaking of art, it’s been a bit quiet on the art front for me lately. The long hours we spend each day baking cookies, pies, breads, and other treats has been draining and I have not kept up the pace with my art as much as I would’ve liked. But I am turning a corner on this and there will be many more new pieces coming up soon, so stay tuned. Here’s a sneak peak at a large piece on the easel right now:

    In Other News

    Be sure to check out Becky Chambers’ new novel, Record of a Spaceborn Few published by Harper Collins. It’s out in the stores now and it features my artwork on the cover. Becky’s books are great, and well worth your time if you enjoy good science fiction.

    Record of a Spaceborn Few

  • Announcing The Doll House Baked Goods Kickstarter

    Announcing The Doll House Baked Goods Kickstarter

    Post Kickstarter UPDATE

    Unfortunately we didn’t meet our Kickstarter goal, but we had a LOT of wonderful support from all of our friends and family. So thank you all who contributed. Moving forward we are still opening our new shop in July 2016, and are now offering you the chance to help us by purchasing some of our Early Bird Pre-Orders! These are the original Kickstarter reward packages, and will be delivered to you once we open our shop. If you are able to do so, we could really use the help so thank you!

    DHBGcard_MixerPOOF

    Original Kickstarter Post

    We’ve just launched our first Kickstarter to help us expand our business, Doll House Baked Goods.

    Kickstarter_FrontPage

    For the last two years my wife, Stephanie Doll, has been operating a small baking business out of our home. It started with special orders for friends and family, then quickly expanded into several Farmer’s Markets nearby. In the last year, demand has grown to the point where we’ve had to consider expanding our operations and to do this we need your help.

    Stephanie Doll is a a skilled baker, and this business has been a labor of love from our kitchen to you. Many of the recipes come from our own family archives, and we use simple ingredients that are locally sourced from our community.

    With our new location we’ll be able to start shipping our baked goods to customers across the USA, a first for us! We’ve found a great location in the Country Village near our home in Bothell, Washington. Not only will this give us a permanent retail location, it has the facilities we need to build a larger production.

    Check out our website today, which very soon will become our online storefront for home baked cookies, breads, and other goodies shipped right to you!

    Thank you! And for me personally this new location will also allow me to permanently display some of my own space art in a public location.

  • Comic Strip and Space Art Update

    Comic Strip and Space Art Update

    With Fall now fully on us here in 2014 I felt overdue for an update on my own art projects. Balancing my work as a professional artist with the practical needs of providing a solid income as a user experience designer has been challenging in many ways, and far more rewarding than I ever expected. I’ve recently taken on a full time role at a reputable online travel company, which has impacted my daily output as expected. Weekends and evenings are now the only time I can reasonably devote to my various projects. (more…)

  • Report From The Universe – A Springbok Puzzle I Once Owned

    Report From The Universe – A Springbok Puzzle I Once Owned

    I’m three years into my space art exploration, and I often find myself wondering where this fascination began in my past. It’s not an unusual stretch of imagination for those that know me personally, as I’ve always been a space and science fiction fan going back as far as I can remember. I came into this world just in time to witness the first moon landing. Space TV shows were all over the few channels any of us could access through the air. (more…)

  • Featured on Amazing Stories Magazine

    Featured on Amazing Stories Magazine

    This week I was featured on the Amazing Stories website in a series that profiles Space Artists, members of the IAAA (International Association of Astronomical Artists). I’m honored and privileged to have been selected for this article alongside artists that I’ve looked up to over the years. If you get a chance, check it out:

    IAAA Gallery: Christopher Doll – Experience Designer

  • My First Artist Credit

    My First Artist Credit

    One of my pieces was used in an online Russian article about Asteroid Mining and Planetary Resources. This is my first credit as a space artist, and I’m thrilled to check off another “to-do” off the list.

    I began the year with the intention of bootstrapping my artwork into a business of its own. Using the best suggestions and plans I’ve accumulated over the years on how to start any business out of pocket and with the tools at my fingertips. As I said before, this is a marathon not a sprint. I have no illusions of becoming fabulously wealthy by painting space scenes. It’s simply something I enjoy and feel compelled to create. The only trick really is to just do it.

    By putting my foot to the floor I’ve managed to check off a few other milestones on the journey:

    In the meantime I am still an active User Experience Designer for software with a number of fascinating projects in progress.

     

  • Painting with my Daughters

    Painting with my Daughters

    My daughters have grown up with parents who enjoy many creative, artistic pursuits, and with my recent plunge into the world of art and painting I’ve begun showing them around a paint brush. They’ve painted before, but not with the artist acrylics I’ve been using, and this may have been their first tutorial on painting.

    photo 3

    There’s a trick to getting the paint to just the right consistency, something I didn’t find out until much later in college. We started with some ocean beach scenes on little canvas-covered illustration boards. Allison, my oldest daughter, wanted to paint the MockingJay pin from her favorite book last year, The Hunger Games. She’s much more the perfectionist about these sorts of things, just like I was, and exhibits the same frustration when she can’t get things exactly the way she’d like.

    Jessica, on the other hand, was gung-ho about getting her beach painted with a palm tree. At 8 years old, she blasts into projects like this with great enthusiasm. No fear, no hangups, just give her the brush and she’s off! Both stuck it out for several paintings before showing fatigue. They didn’t realize we’d been at it for a couple of hours.

    Photo Jan 13, 4 09 00 PM

    Both of them tried out my little beach scenes (above), and then did their own. It was a way to spend time with the girls, sharing with them some tricks and skills without the interference of a glowing screen. But for me it was fascinating to see elements of my own personality play out in their excitement, frustration, and their own view of the world through these little pieces.

  • My home studio, The Bunker

    My home studio, The Bunker

    “The Bunker” was my favorite suggestion as a name for my home studio, thanks to my pal “Crazy Joe” Nedjberger. It won out over some equally good suggestions like “The Dollhouse”, “Dollshop”, “BlackBirdCD’s Cave”, and so on.

    The room itself is the fourth bedroom of our split-level house in Bothell, Washington, and the largest bedroom in the house. It was partitioned by one of the previous owners in the originally unfinished downstairs. For years it’s been the home office, craft area, and model-building space all crammed into one. Having such a dedicated room is one of the luxuries our modest house offers, but as is the nature of such a space it was rarely comfortable to walk into, much less work-friendly than it needed to be for my new career as a Freelance UX Designer and artist. Let’s face it, the hobby room is the last to be sorted out and organized unless it’s used on a regular basis.

    Gone were the piles of half-started, in-progress spaceship models, paperwork and tangles of cables from long-forgotten computer hardware. That’s all out in the adjoining family room now, or in the refuse pile. That which is to be retained has been brought back in carefully, put in its appropriate place, as I re-configured the desks to be more efficient for my work.

    Digital on one side:

    TheBunker

    And my workbench for painting and model building on the other:

    EaseliPad

    The feature image of this post shows the shelves that I use to display finished models, awards, and books that I turn to regularly for the work that goes on here. It still needs a little love, but that’s for a later date. The photos only show 2/3 of the overall space, the rest is dedicated to my wife’s craft station, and a large closet. Four people can be seated at the central island where the easel is sitting. It’s a good sized room.

    Originally planned as a weekend project, the cleanup has extended into nearly ten days of careful re-organization using the existing furnishings. It will never look this clean again, but I’ve already noticed how the change has improved my own efficiency, and my own demeanor when I’m in the space.

    If there’s any lesson to be gained from this exercise, it’s gotta be one of the most basic – “clean your room”.

  • Welcome 2013 – New Year, New Opportunities

    Welcome 2013 – New Year, New Opportunities

    2013 brings with it for me a new direction for my career as a designer and an artist. I will continue to provide User Experience guidance for software companies as a consultant through my own company, Rendezvous Design. In addition, I’ve created a plan that will allow me to devote the time and energy necessary to build a name for myself as a multi-faceted artist. The fact is, I’ve always been an artist but I’ve never put my foot down on the accelerator and made it part of my life. Instead of obsessively sketching these scenes in every notebook within reach, or building scale models in the confines of “The Bunker” – my workshop at home), it’s time to explore a path I’d not considered viable in the past. Now, in the midst of crushing economic conditions I’m taking a bit of a leap of faith. Faith in my own skills.

    I must be mad.

    In preparation for this transition, I’ve been filling out the portfolio on this site with my latest work. It remains mostly Space and Science Fiction imagery, but I’ve discovered the joy of painting scenes from real life in and around the Seattle area.

    So what’s the plan? At the moment I’m pulling together enough finished pieces to be used as display items in galleries, local venues, and events. I’m in the process of sorting out the technical details of printing these pieces here, to sell on my site and in person. Most of the work I’ve done in the last month is at sufficient scale for excellent reproductions on canvas. In addition, there is a consortium of colleagues that are building their own body of work and we’re discussing the possibility of an organized show later in the year. Scale models will make their way into the mix as well, although the details remain to be sorted out. And, as always, I’m maintaining a program of exercises to build up my skills.

    For those who’ve read so far, my thanks for your attention. Now on to 2013

  • New Directions

    New Directions

    Today is my last day at Vertafore, a software company where I’ve spent the last year as a User Experience Designer near my home in Bothell, Washington. It’s always a bit sad to leave those you’ve grown to know and have worked with over a period of time, and I am fortunate to have worked with one of the best teams of UX Designers and Researchers in my entire career, but I couldn’t pass up the chance to take things in a new direction.

    For me, 2013 marks my return to the freelance world and an exciting opportunity within the e-Commerce space. But that’s not all. This move will provide greater freedom for me to see if I can turn some of my hobbies into something that will support themselves and, more importantly, my family.

    I have no illusions that any of this will work out the way that I imagine when I allow myself to dream about the greener grass on the other side of the fence. Although I may have the necessary skills, at least to a sufficiently meaningful level of quality, success or failure will depend on how well (or poorly) I manage the basics like motivation, the procrastination demons, and self-doubt. Luckily I’m gifted with just enough self-delusion to make this sort of thing work out, in the long run.

    If nothing else, it’ll be an exciting ride. Cheers to 2013!

  • Painting on Canvas

    Painting on Canvas

    For the first time in many years I painted on canvas, with real brushes and paint – as opposed to the digital painting that’s consumed me for the last year. My wife Stephanie and I visited The Drunken Easel, a local tavern that combines a painting class with fine, local wine and beer. It was just the two if us, and the owners Justin and Janell, which made for a relaxing evening.

    After introductions, and a couple of glasses of wine, we set up to paint. Stephanie worked with Janelle on a wonderful tree with blossoms, while I took advantage of the art supplies to paint a space scene. Justin was a good sport and worked along with the space scene on his easel.

    I didn’t know if I’d remember my paint skills. Scale model building requires a lot of painting, usually with a airbrush, and it’s not quite the same as painting an picture. But once I had the brushes moving it all came back quickly. Like riding a bicycle, you really never forget.

    Stephanie is no slouch either, we met in an art class back in college. I’m thrilled to have spent date night surrounded by paint.

    To be honest, I rather surprised myself with what materialized by the end of the evening. It felt natural, comfortable, and exciting to work up the picture. Even without the crutch of an unlimited undo, and other niceties offered by digital painting, I found the whole experience rewarding.

    All in all, it was a wonderful evening, and a great chance to meet some new friends. We’re looking forward to coming back again. As for my own artistic journey, my next chapter begins with sorting out which of the paint tubes and supplies are still viable after years of storage, and picking up what I need to proceed with more of these.

  • My First Astrophotography with a Telescope

    My First Astrophotography with a Telescope

    Up until yesterday all of my star photos have been taken with my Canon 40D mounted on a tripod. I�ve read enough to know you can get fantastic images with just your DSLR, without a telescope. And in the process you learn a lot about exposure times, settings, and post-processing.

    Last week I stepped up to a Celestron C8, a Schmidt-Cassegrain telescope with an 8-inch mirror. My thanks to the Seattle Astronomical Society for offering equipment check-outs to members. Exciting as it is to try out a great telescope, my family was thrilled to check out the moon the first night we set it up. That�s Jessica, eight years old, who just finished frosting the birthday cake for my wife Stephanie.

    The Moon

    September 22nd, 2012 was the International Observe the Moon Day, and here we were observing the moon. The moon was nearly a full quarter, with a great view of the crater shadows along the terminator. After taking turns being blown away by the moon at dusk, I took out my camera with the appropriate telescope adaptor. Lining up such a large, bright target wasn�t nearly as challenging as trying to capture stars without a telescope. But I took 60-plus photos anyway, bracketing settings, focus, and playing with the composition.

    Of all the photos, this view was my favorite and I present it to you with minimal post-processing in Photoshop. What you see below is almost exactly as it was shot. I did adjust the brightness and contrast only slightly, and framed it for composition:

     

    Jupiter

    I spent the rest of the evening fighting with hazy viewing conditions, enjoying the stars that I could see. Around 2:30am, already far later than I�d planned on staying up, this showed up over the trees:

     

    I grabbed my camera, and set about taking photos. By now I�d already moved the telescope to a clearer spot in my backyard which meant I had ruined my polar-alignment (the telescope was no longer aimed at the Earth�s point of rotation, meaning it would be difficult to track any object easily with the built-in motor). Undeterred, I went back to settings I�d learned while shooting stars without a telescope. Short exposure times, lots of them, stack and process the images later.
    I took over twice as many individual pictures of Jupiter than I�d taken of the Moon � over 120. I could get ten photos shot before having to re-center Jupiter in the viewfinder � the Earth�s rotation is far more obvious when looking through a telescope. From those, I was able to do a first pass at processing the picture you see above, with ten of the best shots.
    I�m quite happy with what I�ve accomplished so far, recognizing this is all part of a long learning curve. Next time it�s polar tracking and hopefully, with clear skies, some deep sky objects

  • My search for a 1970 Airstream Safari

    My search for a 1970 Airstream Safari

    This is the story of how I found myself on a mission to find a vintage Airstream trailer. In particular, an early 1970’s single-axle Airstream. That I’m on this quest at all is as surprising to my wife as it is to me. She’s long since accepted the fact that I stumble into obsessive spirals over�new-found�interests, hobbies, and other distractions. Often to the point of ignoring more important matters, like life. I take in hobbies the way some people take in every lost stray that passes their door. This time, however, it was a bit different.

    Last summer my family and I visited my father at home in Michigan. During the visit I found old photos that I’ve not seen in decades. Photos from my grandparents, my father’s parents, who lived in the small town of Saline, Michigan near Ann Arbor. Among them were pictures taken during a very special trip they took to Sedona, Arizona in their brand-new Airstream trailer.

    They loved their Airstream and had long dreamed of owning one when they retired. My Grandfather, Maurice Doll, was the head Accounting Administrator for the City of Saline. He was well-regarded and quite capable of his duties, although he didn’t particularly enjoy dropping in on the Ann Arbor Art Festivals to remind the dealers how important it was to properly fill out their sales tax forms for anything sold that day. My Grandmother, Marjorie Doll, was a nurse at the local hospital and likely more pragmatic than my Grandfather. Both had a wonderful sense of humor, and were great company.

    Confirming my genetic pre-disposition to grab hold of an opportunity when it arises, regardless of the risk, they decided to purchase an Airstream several years before either of them had retired. They arrived at our house for a visit after buying it, and I remember it parked next to our home while they stayed. It was a beautiful sight and they were thrilled. The next day they were off to Sedona, Arizona to visit longtime friends and to shake out the new silver bullet.

    Many of the photos I found were from that Arizona trip, and I don’t recall ever seeing them.

    After they returned, I was often invited to join them on local trips to campsites in and around the Ann Arbor area. My younger brother had just arrived, and was too young to join us. I recall many summer trips, staying at RV campgrounds populated with retirees, with posted signs explicitly prohibiting children of any sort on the site. Either I was better company around adults than I remember, or my grandparents held a lot of sway with their community of friends. Their grandchild was coming along for the trip.

    During the work week my Grandfather would drive in to his job in Saline, while my Grandmother lined up swims at the beach, bicycle riding, and the usual activities reserved for grandparents and their grandchildren on vacation. She would make sure that we found as many nature talks as we could find, docents and storytellers who ran daytime classes on local animals, monarch butterflies, turtles, insects. I was fascinated, transfixed. We even made several trips to the University of Michigan’s Museum of Natural History to see their collection of dinosaurs, exhibits on human history, and the planetarium.

    And at the end of each day, we’d return to the campsite and the Airstream.

    If you’ve not seen an Airstream up close, they’re pretty impressive. In my mind’s eye it wasn’t a camper, it was a spaceship taking us to fantastic places.

    Sadly my grandmother fell ill before they retired. She passed away in 1976. A hard lesson for this young boy, and undoubtedly a difficult time for all. Had they waited for their retirement to buy this Airstream, it would’ve been too late. Instead they had six or seven years of wonderful memories that they shared with their family and friends.

    My grandfather kept the Airstream until around 1980, when he remarried and the priorities of a new life shifted.

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    What did those red numbers mean?

    While looking through the stack of old photos, some tattered, some water damaged over time, one picture stood out. It was a nice shot of their Airstream parked in front of the St. Louis Arch. And on the top of the Airstream, clear as day, were big red numbers 24175.

    “What do you think those numbers were?” I asked my Dad.

    “I’m not sure, but I’ll bet someone can find out”

    It occured to me then that many older Airstreams are still on the road. On my drive from Washington State to Michigan I probably saw a hundred Airstreams of various ages. More so than any other type of RV, Airstreams have staying power.�They’re valued by restorers because they’re rugged and even when reduced to a hollowed out shell rotting in the field, the aircraft aluminum holds up.

    It dawned on me – My Grandparents’ Airstream is probably still out there. Airstream estimates that 60% to 70% of all the trailers they’ve sold are still operational. Could it be rotting in a field? Maybe it’s been turned into a trendy food truck, or maybe it’s been restored by someone who found and loved it as much as my grandparents did. It’s merely a matter of tracking down this particular trailer. After so many years it wouldn’t be simple, but it wouldn’t be impossible either.

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    The Search Is On

    It wasn’t long before I found all of the most visited and populated forums dedicated to Vintage Airstreams, Airstream restorations, and more importantly the Airstream classifieds. I even found out that the red numbers, 24175, were the Wally Bayam Caravan Club membership numbers. Wally Bayam was the Airstream founder and original designer, and club membership was a prized�accompaniment�to Airstream ownership.

    The Wally Bayam Caravan Club is, of course, still operating, and my initial email message to them was answered promptly. As was a similar email sent to the Airstream company. They were unable to identify the actual Airstream trailer, as the WBCC numbers were assigned to the person not the trailer. For now, it was a dead-end. I was then put in touch with Joe Peplinski, a member of one of the Vintage Airstream clubs and a historian. He took a look at the photos I sent along, and was kind enough to help me identify the specific model trailer my grandparents owned:

    Based upon the provided photo, I agree that the Airstream must be between 1970 and 1972. �It cannot be 1969 or earlier because they used a different rear window shape and it cannot be later than 1972 because of the date on the photo. �Digging further, the compartment door over the rear bumper seems to have been used more on 1969 and 1970 23′ Safari’s than on 1971 and 1972 Safari’s. �This suggests to me that the trailer is most likely a 1970 Safari

    Clearly I’d found the right people to help me on this search. I was thrilled. Of the 1970 Safari models, it appears as though it was a “Safari Double (Deluxe Land Yacht)” from this brochure, taken from the Airstream website archives:

    So now the search is on. I’m keeping a sharp eye out for any used 1970 Airstream Safari Doubles being sold in and around the Great Lakes area. And because I cannot possibly know if its later owners kept it within Michigan, I’m even looking cross country. Joe has even sent me several links from his area, although so far none of them have panned out. In particular, their Airstream had the following features:

    • 23 feet long, single-axle
    • Sofa-bed in front
    • Second fold-down sofa opposite the kitchen
    • Rear Bathroom
    • No air conditioner, no awning. They could’ve been added later
    • Curiously this model doesn’t seem to have the little windows that faced the sky, these showed up the next year, 1971.

    So what would I do if I find it? At minimum I’d like to know if it’s still out there. If it turns up for sale, I would be very tempted to find a way to secure it. But I wouldn’t want to harass an owner if they had no interest in parting with it. For me it’s mostly to find out where it ended up. And if I find that it has long since been wrecked, or is otherwise unfindable, I may just have to go pick up my own vintage Airstream.

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    My New Wally Bayam Caravan Club Membership Numbers

    As thanks for the help I�received�from the Wally Bayam Caravan Club, and to secure ongoing help with my search, I sent in my membership form to join the club. I wasn’t sure they’d accept me as a member, I am not (as yet) an Airstream owner. In fact, I actually own a 2003 Fleetwood Bounder motorhome. A far cry from the sleek silver bullets. Membership numbers are assigned as requests come in, with the option of requesting any previously un-assigned number. On a hunch, I requested my grandparents’ number, 24175. A couple of weeks later, a welcome package arrived with my new numbers:

  • From Industrial Design to User Experience Design, a long strange path

    From Industrial Design to User Experience Design, a long strange path

    The decision to study Industrial Design in college was a simple one for me, as it combined many of the skills that I already enjoyed growing up as an artist, model builder, and addressed my fascination with cool gadgetry. �I’d already finished a 2 year program in Film Production, and wanted to build out my design skills. If nothing else, a degree in Industrial Design would open many doors, perhaps ones that I hadn’t considered when I started the program.

    Little did I know how big one of those doors would be. By the time I’d graduated with a BFA in Industrial Design from Kendall College of Art & Design, the software industry had exploded. Suddenly there were opportunities for people with my skills – product design, human factors, ergonomics, graphic design with digital tools. It was a time when there were few programs dedicated to cranking out user experience software designers.

    I was already steeped in state of the art UI Design at the time, having worked for a local Engineering and Architectural computer consultancy. We provided hardware and CAD/CNC software for a variety of companies, most of which supported West Michigan’s automotive, office�furniture, and architectural industries. In an area that had few computer technology companies, I’d quickly become a subject matter expert. As I look back this path almost�appears to be ‘by design’.

    Today there are many more university programs dedicated to producing designers specifically for the software industry. I’ve often wondered, were I facing the same decision, going into college today, would I still find Industrial Design more appealing? The answer, after careful consideration, is always yes I would lean more towards Industrial Design. But that’s a choice I would make knowing that I personally enjoy product design – as in design of objects, forms, and experiences – as opposed to designing for a 2 dimensional screen.

    As it has turned out, my ID background has served me well, and over the years I’ve enjoyed a number of roles that did land me in the product design space. With software UI Design becoming more of a commodity, I’m finding myself looking outside the field, considering the other possible doors for someone with my range of skills.

    It’s all part of the ride.