Speed sketching with your tools is a great way to get your pen moving, and your drawing mind working. You can speed sketch in traditional media or digital, both are�a great way to warm up, or to shake things out in between projects. Speed sketches�force you to make decisions quickly and with less deliberation than a full-blown piece.
Three Versions of Ambush In Orbit
For those of you following my recent posts on Instagram, Twitter, and Facebook, you’ve noticed that I’ve been adding more of these speed sketches recently using Photoshop and my Wacom Intuos Pro tablet. I’ve learned some new brushes that I don’t normally use, like some of the built-in paint brush emulators in Photoshop. Some are okay for my needs, while others better than I’d anticipated. Their angle and flat brushes are great for laying in quick areas of color as I draw these scenes.
While some speed sketches have turned out better than I’d anticipated, and are themselves almost complete pieces, others haven’t turned out as well as I’d hoped. In this case, I started with the phrase “Ambush In Orbit” and began thinking of some John Berkey-like scenes in my mind.
The planet and background were drawn first, and I spent almost an entire 45 minute session on these alone. I don’t always render the background first, but it helps set the tone of the main subjects. When it came time for the spacecraft, none of them matched what I originally had in my mind so I ended up with three different styles of spacecraft. I stopped near my standard 45 minutes on each of these, and while they are each a bit off from my planned vision,�I’m somewhat happy with them.
Ambush In Orbit 1
This first version fell away from�the colors I wanted, with the ship being warmer than I’d intended. If I were to take this on to a finished piece I’d adjust the hue across the layers of the ship.
Ambush In Orbit 2
The second spacecraft here just gave up on the whole notion of an orbital ambush, but those engines were just too fun to draw. And the Monty Python style helmet was cracking me up. I am still digging the indication of lit rooms, although it looks like a raging forest fire in there.
Ambush In Orbit 3
None of the shapes in my third attenpt were working out so I started blocking out detail cuts from the form and throwing in the energetic engine colors. The engine flame layers were set to Color Dodge and duplicated to enhance the effect. Now it looks like a piece of wreckage, in my eyes, and a more fun direction than where I started. Again this would be taken a lot further as far as detailing is concerned.
That’s a bit of a view on the process, and while sometimes they don’t come out the way you’d like, they’re still fun and good practice.
About Christopher DolL
Christopher Doll is an artist and designer from the greater Seattle area.� He specializes in astronomy, space travel, and science fiction themes. His work has been featured in a number of books, articles, and on the cover of several novels.
To my great surprise and delight, Pivot Art + Culture in Seattle is exhibiting Imagined Futures – a collection of original, classic Space Art through July.
Imagined Futures Poster
Many of the pieces are reportedly from the Paul Allen Collection, some of which were previously shown in the early days of the Science Fiction Museum, also in Seattle. From the site, the exhibit is to feature:
Imagined Futures features works by including Chesley Bonestell, Fred Freeman, John Berkey, Jim Burns, Don Dixon, Bob Eggleton, Chris Foss, Fred Gambino, Ron Miller, Ludek Pesek, Richard Powers, Alex Schomburg, and Tim White, alongside, for the first time works from other artists inspired by the visualization of the unknown; Ansel Adams, Max Ernst, Robert Longo, Rene Magritte, Simon Norfolk, Thomas Ruff, and Thomas Struth. In partnership with the Flying Heritage Collection and Living Computer Museum, Imagined Futures will also include artifacts from the history of rocketry and computing.
During one of those early visits to the EMP, I almost walked right into one of Chesley Bonnestell’s original paintings. At first I thought to myself “that’s a wonderful print, so nice to see one so large”. Then I noticed something on the surface of the painting. Paint strokes. I wasn’t looking at a print, this was an ORIGINAL.
Shocked, I turned to a painting behind me in the exhibition hall, and it was this John Berkey painting, Alien Arrival:
Alien Arrival – John Berkey
Even back then John Berkey was one of my favorite science fiction artists, and Alien Arrival one of my favorite of his paintings. And here I was looking right at the original. At the time they didn’t allow photography inside the exhibit so I have only my memories of the visit.
I’m looking forward to seeing this exhibition, and judging by the description it’s going to be impressive. So if you’re in the Seattle area this Spring, and would like to see fantastic original space and science fiction art, check out Imagined Futures at Pivot Art + Culture.
Full Disclosure, I am not affiliated with Pivot Art + Culture in any way other than my enthusiasm for this exhibit.
About Christopher DolL
Christopher Doll is an artist and designer from the greater Seattle area.� He specializes in astronomy, space travel, and science fiction themes. His work has been featured in a number of books, articles, and on the cover of several novels.
You may have noticed a number of new watercolor paintings lately. Why all of a sudden have I moved to a new medium? Partly, it’s from the portability. Last summer I picked up a great little travel watercolor kit from Windsor Newton’s Cotman line. The kit fit nicely into my travel bag and I brought it with me regularly to the Doll House Baked Goods’ Farmers Markets.
I started painting some of my #spaceshipaday drawings while hanging out at the markets. One of the images was used for the cover of my Coloring Book, Coloring Space 1. I liked the simplicity and speed. And the Windsor Newton Cotman Watercolors were a lot better than I expected.
Once I got the hang of the basics, as with any paint media, I started trying out a few other subjects including some of my favorite lighthouses and scenes. Not only is watercolor a fast media to use, it’s quite unforgiving. That forces you to commit to your painting faster than usual. It’s a good exercise and with the right touch they can look fantastic.
Cape Disappointment and Starry Sky
Night Sky – Original Watercolor 4″ x 6″
North Head Lighthouse
HMS Surprise Ambushed By The Acheron
Pioneer Building, Seattle, Washington
I am by no means a master at this, and I don’t claim to be. This is merely another chance for me to explore color in my artwork. As much as I enjoy the digital experience with my iPad, Procreate, and a stylus, there’s something more visceral and rewarding about working with traditional tools.
Artist Travel Kit
These sketches were fun but I was finding that I wanted a few more options during some of the longer market sessions. Then we packed for a long RV trip to Michigan and I wanted to bring some of my paint supplies with me.� I was limited to a few pens, pencils and smaller 4″ x 6″ cut sheets of watercolor paper – my basic drawing package that I bring with me almost everywhere. But back home I had a lot more tools and supplies that I often used in my studio. To get things a bit more portable I started gathering my essentials into a larger kit.
Wine Box To The Rescue
I started with a fine wooden box from Chateau Ste. Michelle, a perfect size for my kit. It would be a bit larger than a sling-bag but it gave me a few more options while on location.
Now I have a bigger container of pens, including my ink-well style pens from ages ago when I drew my cartoons by hand. They still work very well. I also have a small Prismacolor Colored Pencil set, a new box of Pentel watercolors that I’m just starting to try out, my old design pastels, Golden liquid acrylic paints, a jar for water, erasers, and several pencil sharpeners. It all fits nicely in the box and it even leaves enough room for a wider variety of watercolor paper sizes.
My Travel Art Kit
The Kit
Portability Achievement Unlocked
Sure it’s a bit more to carry than my sling bag, but it also acts as its own tabletop when I don’t have a lot of flat surfaces. Later I’ll figure out an option for mounting a tripod and maybe re-work the lid into a drawing table with optional angles, who knows. The existing hinges are more decorative and won’t hold up well� with repeated heavy usage.
I’m looking forward to doing a lot more of these, especially once we open our new shop. There I’ll have the room to work on paintings in the public full-time.
Now Available In My Store
A number of these are already available for sale in my store. I’m offering the originals right now and will be offering prints once I decide on a proper avenue for producing them. As much as I hate to turn this into a giant sales pitch, the purchases do help me continue making these. Thank you all
I’ve been painting a lot of new images recently and I am making these available to you now! A number of these are smaller watercolor paintings which you may have seen if you’ve been following my Facebook, Twitter, and Instagram posts. Thank you all for the wonderful comments, by the way, your feedback is appreciated.
Jupiter – Original Watercolor
North Head Lighthouse – Original Watercolor and Ink
North Head Lighthouse
Pioneer Building, Seattle, Washington
Friends in Fantastic Worlds
Night Sky – Original Watercolor 4″ x 6″
HMS Surprise Ambushed By The Acheron
Solar Eclipse – Original Watercolor
Cape Disappointment and Starry Sky
Milky Way At Night
North Head Lighthouse with Starry Skies
Along with my traditional space and science fiction themes I’ve been exploring some more traditional views like some of my favorite lighthouses of the Pacific Northwest, and sea battles.
Sea battles, really? I’ve long been a fan of the Patrick O’Brien books featuring Jack Aubrey, and the movie Master and Commander – which is probably the best Star Trek movie in ages.
All of these are available now in my store at the link below
Still Available
I still have some of my hand-painted planet globes in the store, and once these are gone it will be a long time before I offer them again. These were a special gift item for the holiday season last year and I’m not yet certain what will be on the agenda this year. So if you’d like one of your very own please let me know soon!
Planet Globes, Hand Painted
Earth and Moon
Mars Globe
Jupiter Globes
Moon Globe
About Prints
I’ve explored a few options for offering prints of my work through my site, and there are a few of them available now in the store. The prints I have are quality prints, and a fine affordable addition to your own collection. They have been sourced from a variety of vendors and based on the numbers it will make more sense for us to create our own prints going forward. So we are in the process of securing a quality Giclee printer and materials to offer more prints, and we’ll let you know once they are available.
COMING SOON
As many of you know, my wife Stephanie and I are opening our own bakery near our home. To do so it means that we’re going to need a lot of equipment, and that means we need to build up some cash reserves. I’m going through my collection of scale models and collectibles, and a number of these will be hitting the store very soon. Some of the models will be build-ups that I’ve already completed, some will be kits, and there are a few collectible items that I’d love to see go to a new home. Look for details soon!
Unfortunately we didn’t meet our Kickstarter goal, but we had a LOT of wonderful support from all of our friends and family. So thank you all who contributed. Moving forward we are still opening our new shop in July 2016, and are now offering you the chance to help us by purchasing some of our Early Bird Pre-Orders! These are the original Kickstarter reward packages, and will be delivered to you once we open our shop. If you are able to do so, we could really use the help so thank you!
For the last two years my wife, Stephanie Doll, has been operating a small baking business out of our home. It started with special orders for friends and family, then quickly expanded into several Farmer’s Markets nearby. In the last year, demand has grown to the point where we’ve had to consider expanding our operations and to do this we need your help.
Stephanie Doll is a a skilled baker, and this business has been a labor of love from our kitchen to you. Many of the recipes come from our own family archives, and we use simple ingredients that are locally sourced from our community.
With our new location we’ll be able to start shipping our baked goods to customers across the USA, a first for us! We’ve found a great location in the Country Village near our home in Bothell, Washington. Not only will this give us a permanent retail location, it has the facilities we need to build a larger production.
Five years into a long journey to a distant world, the crew of Stellar Explorer Copernicus detects a radio signal from a nearby star system. Weary from isolation and already far from home, the signal sparks a fiery debate about the nature of their mission, and how to proceed as emissaries of the human race.
The fourth vessel of the Stellar Explorer class, and first to leave our solar system, Copernicus contains over 5,000 capable men and women on a mission to establish an outpost on the first Earth-like world found in a nearby star system . On their journey, they are isolated in an artificial world with almost no contact home for years on end, and no guarantee of return. Their only hope and reward is to find a living, breathing planet where humans can live outdoors. Built by a consortium of corporate and government entities spanning the entire solar system, Copernicus represents nearly a century of mammoth investment and research. Equipped with a powerful Faster Than Light drive, the journey itself is expected to take more than seven years. Each crew member has volunteered decades of their lives on what could be a one-way mission.
To support her crew and mission, Copernicus contains all the necessary equipment and capabilities to build a self-sufficient community on a new world, far away from Earth. Joining them on their journey is a small army of humanoid robots controlled by The Forum, a collection of artificially intelligent entities that help govern their community and Copernicus itself. Maintaining a starship of this size proves far more difficult than imagined. They have faced perilous accidents which claimed the lives of people very close to them. Even with such a large crew, the loss of any one person takes its toll personally and professionally. They can manufacture and repair major components of the ship itself, but people are not easily replaced.
Then out of the silence, a massive radio spike is detected from another star in the local vicinity. It appears to be artificial in origin, and its source is within range of their vessel. Copernicus has the means to investigate the signal, and complete their mission, but by doing so would they would eliminate the possibility of returning home to Earth. The crew must decide whether they should risk their lives and the mission for the chance to meet a possible alien intelligence in a nearby system.
The decision creates havoc among the crew. Many would rather go on to their final destination and leave the signal alone. While most agree that the signal is important enough to risk a detour, especially if it means the possibility of discovering intelligent life nearby, there is great concern for their own well-being and safety. For all it�s impressive capabilities, Copernicus is an unarmed exploration vessel. Many on board insist that they should prepare to defend themselves on the chance that this new species could be malevolent. And for those who wish to meet this new species, as emissaries of the human race, the question arises about how to communicate with beings totally alien to our own experience.
Against all better judgement, I am writing a science fiction novel of my very own. I didn’t want to write a science fiction novel, but a.) an idea stuck with me and wouldn’t leave me alone, b.) I had adequate time to pursue this madness, and c.) it’s guaranteed to have killer cover art.
Landing Operations – Color Comp
I started the first draft last Fall, and I’m calling it Stellar Explorer. That’s merely a project code name for now, I’ve not yet decided on a final title. It’s developed a life of its own, and not merely a shot in the dark, so I’m sharing the details with any of you that are interested.
Where did the idea come from?
In 2015 I was drawing a lot of spaceships, which a number of you followed through my #spaceshipaday Twitter posts. My thanks go out to all of you who have supported my art. Along the way, one particular drawing stuck with me.
Digital – Procreate on an iPad
It was a fun drawing that I made on my iPad with the Procreate App. My original intention was to draw a cool background with stars and nebula clouds, but halfway through I felt it was lacking something. It needed a subject, so I added a generic spaceship that was lit with color from the three different star groups, cyan, yellow, and red. The spaceship itself was the fastest part of the whole drawing, and surprised me how it developed so easily. Sketchy in form, with obvious perspective errors, the details flowed fast and fit into place. You know that feeling you get when a plan comes together? That’s what this felt like.
Since I was still on a self-guided mission to improve my artwork, I continued drawing spaceships and fantastic scenes. But this ship stuck with me, and like any other obsession I began to think about that scene. Where was this ship going? Who would build such a ship, and why? What does the rest of it look like? And more importantly, who would live on it?
Digital – Photoshop
Over the next few months, this spaceship kept showing up in my drawings. Those of you following my art posts might have wondered “why is he drawing the same ship over and over again?”. Obsession, of course. This image wouldn’t leave my mind. The other was more practical – I was honing specific drawing skills and in the interest of time it was easier to use a design that I already explored (as opposed to creating a whole new ship). It shows clear lineage to many of the science fiction shows and stories that have inspired me over the years: from Star Trek, Space: 1999, and Star Wars to novels by Larry Niven, Kim Stanley Robinson, James S.A. Corey, and artists like John Berkey, Robert McColl, Vincent DiFate.
After much deliberation and research into contemporary concepts of interstellar travel, it was quite apparent that a spaceship like this is not feasible at all. At least not within the boundaries of existing science and engineering knowledge. It’s enormous, if the size of the windows are any indication. Thousands of people would be able to live inside of it. It would have to reach tremendous speeds to get near those beautiful nebulae within the lifespan of an average human being. And it’s configured like a cruise ship, meaning it would have to have artificial gravity (there are no rotating centrifuges to mimic gravity). But if you extrapolate on a few key technology advancements, technical hand-waving common in the science fiction realm, it starts to look reasonable. At least reasonable enough to warrant further speculation.
What’s it about?
I’ve called the project and this spaceship Stellar Explorer. Derivative perhaps, but as I mentioned earlier the title is TBD. It’s on a long mission to a nearby star where an Earth-like planet was found by observations from our own solar system. To reach this star system, a consortium of business and government agencies invested in a massive program to build a starship that would allow humans to go to this new world and begin exploring it in person, a first step towards a much larger colonization effort.
My story is about the crew of this Stellar Explorer, and their journey to set foot on a new Earth in another star system. They are a capable group, hand picked for their resilience, skill, and willingness to renounce family, country and friends, giving up years of their lives on a mission of exploration.
In this future history, humans have already set up colonies on the Moon, Mars, in orbit around Venus, and several moons of Jupiter and Saturn. We’ve become very good at setting up artificial environments, but they are expensive and exist mainly to harvest the rich resources necessary to sustain the exploding population on Earth. Little mining is conducted on Earth anymore, in an effort to rescue the collapsing ecosystems there after centuries of abuse at the hands of industrialists and modern warfare.
Interior Sketch – Main Arboretum
Living off-world in artificial environments isn’t pleasant for the working population. It’s claustrophobic, even in the larger domed cities, and it’s dangerous as even a small accident can kill large numbers of people (and have over the course of this future history). There is a thriving leisure travel industry that promotes exotic cruises to locations throughout the solar system, although only the very rich can afford such luxuries. In spite of our expansion into the system, the most sought-after, expensive properties are the few remaining open spaces left on Earth. Places where you can walk and live outdoors.
Close rendezvous with an asteroid.
The discovery of an Earth like planet in a nearby star star system sets off a 100 year race to build and test the technology necessary to get humans there and become a true interstellar species. Many worlds had already been discovered using astronomy observations, but the catalyst was the first actual image of a blue world. Seeing another living planet for the first time inspired all of the human race. It would be a new home where people could live in the open, free of artificial spaces and the threat of ecological collapse. And real estate there would be outrageously expensive.
That’s all fine, but it sounds like every other science fiction story. What makes yours so different?
The best science fiction I’ve read doesn’t focus entirely on cool technology and spaceships, although that’s often part of the mix. It focuses on us, the people who are living and breathing (and reading) today. Filling a novel with spaceships and rayguns is fun but for me the more interesting part is the human story.
Concept Sketch – Status Report
What happens to a group of people who are stuck inside of a large spaceship on a journey that will take years? What do you do to pass the time? Who goes crazy from the monotony? What happens when you break up with someone, and you still have to live near them? Even though this Stellar Explorer is big, and carries tremendous exploration capabilities at the new world, it is an isolated island of humanity on a long, lonely voyage. Think about a large, luxurious ocean liner. For a week or two it’s fantastic. You have great food, entertainment at your fingertips, exercise facilities, lots of booze, and exotic destinations. But if you were on that same cruise ship for six to ten years, with the same group of people, it would start to drive you nuts.
Character Sketch – Tarika Donnelly
Perhaps a better analogy for this Stellar Explorer are the science stations in Antarctica. In fact, there’s a great documentary called Antarctica which I watched while thinking through all of this. I highly recommend it. The people living at McMurdo station live in artificial communities in a part of the world that can kill you outright if you’re not properly prepared. They are isolated and most rotate out after six months, although a number of people have committed themselves to year-round living. They become a microcosm of humanity, working day to day in a place that is beautiful and deadly with little outside assistance or contact.
What makes you think you can write a good science fiction novel?
Honestly I don’t know if I can write a good science fiction novel. It may be a complete disaster with a cool cover. I have no illusions that writing is easy. It isn’t. I may only be good at building the world and drawing it, I don’t know. But as they say “write what you know”, and I know science fiction. I also know a hell of a lot about the dysfunction of professional organizations and being trapped in high tech environments with people that you either want to hug or strangle, take your pick. Somehow there’s a connection, and one that I think will be worth exploring.
My only published work at the moment is a coloring book, with more on the way. I’ve tried my hand at writing many times, and some of the first were on a typewriter (kids, ask your parents what these were). Short stories, film scripts, novels, I’ve collected a number of them over the years and while I admit that most of them weren’t finished, and none of them published, a few of them weren’t half bad based on the comments from the few who read them.
The first degree I studied in college was film production. It was a small program in a community college but you did need to think about your stories and it inspired me to begin looking at the craft of writing. At the time I struggled with it. I was young, admittedly inexperienced, and it showed in my stories. I understood the mechanics of writing, but fell short on capturing life. I set it aside many times and would occasionally get inspired to write science fiction.
Nothing I’ve tried writing has had the same depth and momentum as this Stellar Explorer idea, and I hope that over the next year or so you will find it interesting enough to stick around with me while it comes together.
A Stellar Explorer closes in on a moon orbiting a gas giant
What’s the status of this novel, and what’s next?
I’ve already completed a good portion of the first draft. It’s been a learning experience for me as it is the most ambitious writing project I’ve undertaken. I knew going in that writing a novel is a lot of work, and nothing I’ve learned so far has proven me wrong. After I finish the first draft there will be a number of edit passes before it’s ready for publication.
At this time I have no publisher, this is entirely a project of my own creation. There are a lot of self-publishing routes available to me, and there’s still plenty of time to make that determination when I get closer to being done.
I intend to begin introducing the characters and the world to you all as I progress. I hope you come along for the ride and enjoy the journey as much as I have so far. Cheers
Updated note – this post was originally intended for my original planet globes, which are no longer available. At the moment I am working on a new line of planets, which are not yet ready for sale as of this writing.
I am starting with three planets – Jupiter, Mars, Earth (with a small moon in scale) – and the Earth’s Moon. Each is 2 1/2″ in diameter, painted with artist-grade acrylics and sealed. The core is a hardwood sphere that adds a nice weight to it.
2 1/2″ Mars Globe (Click on Image to order) $24.00 – $35.00 USD
Each globe comes with a small ring for desktop display, and I’m offering two additional display options – an eyelet for hanging the globes, as well as a larger deluxe display.
Earth with Deluxe Base and Moon (Click on Image to order) $30.00 – $40.00 USD
I have a number of these ready to go now, but I’ll also be taking pre-orders over the next few weeks. Be advised that once I run out of the globes that I have on hand it may take up to two weeks for your order to be completed.
Jupiter Globes (Click on Image to order) $24.00 – $35.00 USDMoon Globe (Click on Image to order) $24.00 – $35.00 USD
Winding into Fall of 2015, I have been taking my design sketches into more finished pieces. As fun as it’s been creating my #spaceshipaday entries, it’s clear that I also need to demonstrate more finished work like the ones I’m showing here. I set out with several goals for these drawings:
Draw something that would make me want to read this book (clearly from a science fiction aspect)
Tighten up details from my original sketches, while embracing my somewhat chaotic style
Practice more subtle use of color tones (often my color work stays a bit too saturated).
The first two pieces started out as #spaceshipaday line and marker drawings that garnered a lot of compliments and attention through Twitter, Instagram, and on Facebook. My thanks to you all who’ve been following along. I appreciate the comments and compliments I’ve received so far.
Original Sketch for the John Berkey styled ship
Color pass and extra detail using Photoshop and a Wacom Intuos Stylus
Clearly influenced by my love of John Berkey’s artwork, I wanted to draw something that had the same amount of crazy and wonderful details as his work. Since I’ve time-boxed my initial sketches (45 minutes or less), it’s actually tricky to get in a lot of detail especially if you’re trying to make it fit in some fashion with the rest of the ship. Overall I was happy with the concept, although some pointed out that it’s starting to look like the spaceship from the Coneheads movie, or maybe even Colonial One from Battlestar Galactica (the new show). Influences aside, my focus was more on the process.
The sketch was photographed and taken into Photoshop where I gave it a quick color pass (above). As of this writing, it is still unfinished, I’ll post the final in my Gallery.
Heavy Transport in a deep atmosphere. Rendered with Procreate on an iPad
This next image was also quite popular as a sketch, this time I stepped more into Chris Foss territory. I tried to leave the atmosphere fairly bland compared to the ship itself, although looking at it now I think it could be even more diffused. I realize I’ve left in many of the lines from my original sketch. To me this is still one stage away from being a final cover art piece and my focus has been on trying to achieve an emotional impact with the design and rendering.
Speed Chase – no sketch, entirely drawn with Procreate on an iPad
Finally there’s this fun piece that was created entirely in Procreate on my iPad. There was no sketch. Sometimes everything comes together all at once and it all becomes a joy to witness. This is one of those moments where I just let my hand run free with only my artistic lizard brain at the controls. I don’t know of any other way to describe it but everything from the color, composition, and the frenzied style seemed to fit together nicely without a lot of effort. I would be inclined to read this book if I saw it in the store.
Next Saturday (October 10) and Sunday (October 11) I will be one of the artists at the October Harvest Festival at the Country Village in Bothell, Washington. I will have copies of my new Coloring Book – Coloring Space 1� – on hand plus a few prints of my work. While there I’ll be drawing and painting a number of pieces including my #spaceshipaday drawings.
From their own site here’s what else you can expect:
Stroll the grounds decorated with corn stalks and pumpkins while you enjoy 30+�unique craft booths featuring one-of-a-kind items made by local artisans. Paint a pumpkin! Pumpkins and paints are included ($7).�Fun, fall activities for kids include�face painting, pony rides, train rides, and live entertainment throughout the entire weekend!
For more details and directions visit their site at the link below. Hope to see you there!
Hours of Operation:
Most shops open 7 days a week
10:00 am to 6:00 pm Monday through Saturday
11:00 am to 5:00 pm Sunday (Check with individual shops and restaurants for specific hours)
Address:
23718 Bothell Everett Highway Bothell, WA 98021
One of the benefits of using a great app like Procreate is that it kicks out a video of your entire process. As part of my own skill-building exercise, this particular piece was an exploration in creating form and mood using the light and color from the environment.
Here’s a compressed 2 minute video showing the drawing from start to finish. Enjoy!
I’m happy to announce my first book, Coloring Space 1. This is a coloring book for adults and children, featuring 24 of my own spaceship designs and scenes. Each one is drawn and formatted for an 8″ x 10″ trade paperback. The paper is a bit heavier than standard trade publications, and each image is presented on its own page so bleed-through will be less of an issue for those using markers or watercolors.
Front cover to Coloring Space 1
Back Cover to Coloring Space 1
Inside I have placed the artwork on the right-facing pages, leaving most of the left-facing pages blank so that any bleed from markers or watercolors will not destroy the next page behind it. A couple of the first pages include helpful text as seen in the sample below.
Sample page from Coloring Space 1
Ordering
Autographed copies of the first printing of Coloring Space – 1 are available in� my store right now! They are expected to arrive the first week of October, orders will be sent out immediately afterwards.
Coloring Space 1 is also available at Blurb.com using the link below, and will soon be available through a number of online retailers. I will have Coloring Space 1 distributed to a number of retail stores as well.
If you live in the area, I will have a number of signed copies available at several appearances in October, so keep an eye out here and on my Facebook and Twitter pages for details.
Work is underway on two more books in the Coloring Space series -� Coloring Space 2: Stars, Planets, and Galaxies, and Coloring Space 3: Alien Worlds. Details will be posted shortly.
Back around 2014 or so, I joined several other artists in SPACESHIP A DAY. Every day I drew and shaded a spaceship of my own design. It’s a fantastic way to improve your drawing skills.
I’ve made a video showing the process I use for the #spaceshipaday drawings. typically these drawings take 45 minutes, but I kept this one to 25 minutes for the sake of the demonstration. And yes, the spaceship is very derivative, but it was a lot of fun. Enjoy!
NEW DRAWING CLASS
For 2026 I am releasing the first of a new series of drawing courses, How to Draw Starships 101. This is the first class of my new SPACE ART ACADEMY where I will teach you how to draw, color, and paint your own scenes. Even if you don’t want to go as far as painting, I will show you how to draw like an Industrial Designer or Hollywood Spaceship Designer. And it’ll be a ton of fun!
I am now taking pre-orders on a new class, How to Draw Starships 101. This is the first in a series in my new Space Art Academy. I’m offering this course at a steep discount so hurry before this offer runs out. I will teach you all the essentials, and more, for drawing all of your Spaceships any day of the week!
Recently I discovered the #spaceshipaday Twitter thread started by artist and designer, Jeff Zugale. Jeff was drawing his ships the same way I’ve been drawing my own, pens and design markers in a 5.5″ x 8″ ring-bound sketchbook. Each sketch has a 45 minute time limit. His posts garnered so much attention they were featured on Kotaku.
Drawing Spaceships
I’ve been drawing spaceships like this my entire life. My notebooks and sketchbooks are full of them. It used to drive my teachers nuts whenever they’d grade my papers only to see them surrounding by little spaceships and science fiction scenes.
Chris was always drawing little spaceships all over the place. ALWAYS. It’d be annoying if he wasn’t so damn good about it…
– (Annoyed Co-Worker, name withheld)
Drawing is one of the reasons I pursued a degree in Industrial Design, which amped up my ability to draw these scenes with better tools. To this day my notebooks appear to be written in an alien, heiroglyphic language composed of spacecraft and scenes. But I never really shared this with anyone, beyond a few close friends. With nothing to lose, I decided to jump on the #spaceshipaday bandwagon and join in the fun. Thank you, Jeff for starting a cool thread.
My Spaceship-A-Day Process
Like Jeff I’ve kept my sketches to a 45 minute time-limit, but I’ll admit some of mine have run to 60 minutes. Sometimes I draw in the rough shape with 2H pencil, then go over it with several fine-line ink pens (.03, .06, .01 sometimes). Next, a couple of shading passes with light gray design markers (20%-40%, sometimes 70% for darker details). If needed I’ve used a brush pen for more painterly ink tones.
I’ll begin posting my own here on my site, but you’re welcome to follow my Twitter account for active updates. And let me know in the comments if you’d like to see a video of the process.
Taking passengers on voyages through the systemIt’s a skiff, with gunsMy mashup of classic Ron Cobb designs and possible sister class to the Firefly transportsCommissioned by General Martok, this Bird of Prey has significant advantages over the previous modelsMulti-role transport and emergency rescue vehicleSome kind of orbital transport craft, multi-wingWinged, orbular space fighterCapable of refueling by skimming the atmosphere of the gas giants, this frigate maintains the peace in the outer systemShip repair and tug vesselMy take on the old GalacticaJust following a vibe on this one. Heavy Moebius influenceAfter arriving at their destination star system, the passengers grafted the remains of their colony ship to a local asteroid. This provides them with sufficient raw materials and fuel to stage orbital landing and support.Interstellar transport with variable wing Alcubierre Drive fieldsStar Trek meets John Berkey
Adding Color
For some of my drawings, I’ve taken them into Procreate on my iPad so I can add some color. Again I try to keep this to a 60 minute time limit, as the goal is to have a colored sketch or mood board view of the spaceship. Later on I will take some selections and do a fully rendered final piece.
I added the hints of a Jovian atmosphere, engine plumes, and shockwaveStraight up color renderingWith background. Procreate on an iPadAn homage to production design art for ALIEN. Digital – Procreate on an iPadAlmost like a cel animated featureA bit more technical, like a Ron Cobb drawingAfter arriving at their destination star system, the passengers grafted the remains of their colony ship to a local asteroid. This provides them with sufficient raw materials and fuel to stage orbital landing and support.
This is also an exploration in tools, like in this case where I tried out a portable water-color set.
My Spaceship in Lego
Daniel Fortine, a fellow UX Designer and friend of mine, is very skilled in the brick arts. He really liked one of my drawings, and he’s gone ahead and started building it in LEGO:
These drawings are part of a long-term strategy I’ve been following. For the last three years I’ve been practicing the necessary skills to be a professional artist, specializing in space, astronomy and science fiction art. Mostly it’s been an exploration of tools, media, and processes (including both digital and traditional methods). I’m also beginning to gain exposure as an artist, so I guess to some degree it’s just me sharing some cool spaceships with the world and saying “Hi, I can do this”. Granted if you’re the sort of person who needs a spaceship design, feel free to reach out.
Last year I made this painting based on the classic scene by famous matte painter Albert Whitlock. It’s the Rigel 7 fortress originally shown in the first Star Trek pilot episode, “The Cage”. It was re-used several times during the rest of the Star Trek series and I always wanted my own version of this classic shot. (more…)
With Fall now fully on us here in 2014 I felt overdue for an update on my own art projects. Balancing my work as a professional artist with the practical needs of providing a solid income as a user experience designer has been challenging in many ways, and far more rewarding than I ever expected. I’ve recently taken on a full time role at a reputable online travel company, which has impacted my daily output as expected. Weekends and evenings are now the only time I can reasonably devote to my various projects. (more…)